WOLFGANG PUSCHNIG :: 50 jahre

Datum: Fr, 19.05.2006
Veranstalter: UNIKUM + INNENHOFKULTUR
Ort: Künstlerhaus Klagenfurt

Im Rahmen von 20 JAHRE UNIKUM : 20 LET:
Wolfgang::Puschnig
Drei Tage. Dreissig Stücke. Fünfzig Jahre.
Künstlerhaus Klagenfurt/Celovec
19.–21. Mai 2006

programm::spored

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FREITAG::PETEK, 19. MAI | 20.00 UHR
› SAXOFOUR ‹
Florian Bramböck, Klaus Dickbauer, Christian Mauer, Wolfgang Puschnig
› DUO ‹
Uli Scherer (piano), Wolfgang Puschnig (sax)

SAMSTAG::SOBOTA, 20. MAI | 20.00 UHR
› 3–D ‹
Paul Urbanek (piano, keyb), Wolfgang Puschnig (sax)
› PHILADELPHIA CALLING ‹
Rick Iannacone (guit), Raphael Preuschl (bass), Reinhardt Winkler & Emil Krištof (drums), W. Puschnig
› MEETING ‹
Wolfgang Puschnig meets Wolfram Berger (voc) & Jon Sass (tuba)

SONNTAG::NEDELJA, 21. MAI | 19.00 UHR
› A BAND FROM HOME ‹
Ali Gaggl (voc), Karen Asatrian (piano), Rudi Melcher (guit), Karl Sayer (bass), Emil Krištof (drums)
› ODEM ‹
Dhafer Youssef (oud), Jatinder Thakur (tabla), Wolfgang Puschnig (sax, flutes)
› CHANTS ‹
Franz Hautzinger (tp), Woody Schabata (vib), Raphael Preuschl (bass), Reinhardt Winkler (drums), W. Puschnig (sax)

EINTRITT::VSTOPNINA: EUR 15,–/12,– TAGESKARTE | EUR 40,–/35,– DREITAGESKARTE | CIK – CAFÈ IM KÜNSTLERHAUS | +43 463 594018 | OFFICE@INNENHOFKULTUR.AT

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WOLFGANG PUSCHNIG – 3 TAGE. 30 STÜCKE. 50 JAHRE. EINE VERANSTALTUNG DES VEREIN INNENHOFKULTUR IN KOOPERTAION MIT DEM UNIKUM MIT FREUNDLICHER UNTERSTÜTZUNG DER KELAG.
WOLFGANG PUSCHNIG – 3 DNI. 30 KOMADOV. 50 LET. PRIREDITEV KULTURNEGA CENTRA UNIVERZE V CELOVCU UNIKUM V SODELOVANJU Z DRUŠTVOM INNENHOFKULTUR TER S PODPORO KONCERNA KELAG.

http://www.unikum.ac.at

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission