SOLOS

Datum: Di, 28.04.2015 um 20:30
Veranstalter: Verein Innenhofkultur
Ort: raj, Badgasse 7, Klagenfurt

Unterschiedliche Zugänge zur Musik für Saxophon – ein Experiment?!
Michael Erian (Saxophon) | Gilbert Sabitzer (Saxophon)
Eintritt: € 10 | StudentInnen € 6

Welche Rolle spielt Adolphe Sax? Oder: wie schaffen es zwei Kärntner Musiker, aus verschiedenen Perspektiven diesem so wichtigen Instrument (Saxophon) nahe zu kommen?
Im Jazz hat das Saxophon ja bereits im 20. Jahrhundert einen fulminanten Siegeszug angetreten – aber wie schaut´s in der Klassik (bzw. in der zeitgenössischen Musik) aus?

Wenn Sie sich diese oder ähnliche Fragen auch schon gestellt haben, dann sind Sie am 28. April im raj am richtigen Ort.
Aber auch, wenn es Sie einfach interessiert, was an diesem Abend so gespielt wird…

Termine

am Di, 10.06.2025 um 19:00

TACO TUESDAY SUMMER PARTY | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt COME JOIN US on 10.06.2025 FOR THE TACO TUESDAY SEASON FINALE SUMMER PARTY!
IF IT'S NICE WEATHER WE'LL START OUTSIDE IN THE GARDEN!
TACO TUESDAY HOUSE BAND & SINGERS CREW, VILLA GROOVE ORCHESTRA (formerly 'ladies on stage')
SPECIAL GUESTS: FLOZELL feat. KARIN ZEMLJIČ, DJ FRANKLIN JAMES & OF COURSE, ROB'S TACOS!
WE'LL OPEN A LITTLE EARLIER FOR TACOS at 19:00.
SO COME AND GET DOWN @
THE HIPPEST PARTY IN TOWN!!!
am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission