NEW ADITS 2012 – Tag 2 – 19.30

Datum: Fr, 16.11.2012
Veranstalter: Flechtwerk & Innenhofkultur
Ort: raj, Badgasse 7, 9020 Klagenfurt
Link: vereinflechtwerk.wordpress.com/new-adits

Tag 2 - bitte für Details anklicken

New Adits, Fr.16.11.2012

1_ Komposition von Ingrid Schmoliner
für prepariertes Klavier, Stimme

„Zwerginnensuite”( in drei Teilen )

1-1 Inka
1-2 Mesch
1-3 Grul

gewidmet Maria – Luise Botros

Dauer 15 Mintuen

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2_ Komposition von Ingrid Schmoliner
für prepariertes Klavier, Stimme, Trompete, Klarinette, Objekte, Lautsprecher

„Morrenmu(t)nd”

Interpreten: Petr Vrba (CZ) Trompete, Klarinette, Lautsprecher, Objekte,
Ingrid Schmoliner (AT) prepariertes Klavier Stimme

Dauer 15 Minuten

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3_ Komposition von Irene Kepl
für Violine

„within shades”

Interpretin:
Iren Kepl, Violine
Dauer 7 Minuten

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4_ Auftragskomposition
von Irene
 Keplfür Violine, Bassklarinette, Saxophon, Klavier, Stimme,
 Trompete bzw. Lautsprecher

„get weaving“

Ensemble:
Ingrid Schmoliner – prep.Klavier, Stimme
Irene Kepl – Violine
Petr Vrba – Lautsprecher, Trompete,
Miroslav Tóth – Saxophon, Stimme
Petra Stump – Bassklarinette

Dauer ca. 45 Minuten

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5_ Duo Vrba/ Toth

https://vimeo.com/46484866

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission