fešta dvojezičnosti I fest der zweisprachigkeit und radiodialoge 2009

Datum: Fr, 11.12.2009
Veranstalter: Radio Agora
Ort: raj, Badgasse 7, 9020 Klagenfurt

Terrafolk - Delphine Blumenfeld - Jani Oswald

vabilo I einladung   petek  I freitag, 11.12.09, um I ob 19.30 uhr I uri
fešta dvojezičnosti I fest der zweisprachigkeit und radiodialoge 2009

line up:
Terrafolk
Bojan Cvetreznik a.k.a. Bojan CV (violin, mandolin)
Danijel Cerne a.k.a. Mystica (guitar)
Marko Hatlak a.k.a Mark O“Tango
(accordion, percussions, drums)

Delphine Blumenfeld
Jani Oswald

und….
 


Terrafolk
After running out of money in New Zealand, Mystica and Boston Balkany began a busking show which was a blend of ethnic tunes that at least one of them knew. Later that year, they met up with violinist Bojan Cv at the Lent festival in Slovenia and put on an impressive improvised set. Terrafolk was born.
After heavy touring in their native land, they headed for London and Edinburgh where they played in pubs, then clubs, then festivals. One British journalist described the Terrafolk sound as „Everything respected, nothing sacred”. The UK adventure resulted in Terrafolk winning a BBC World Music Award, even though the band was not really aware of what the „world music scene” was. The band formed the ONE music society (Društvo za ENO glasbo) to better define the unlimited approach to their musical style.
Awards:
BBC 3 World music Audience Award 2003
Spirit of the Fringe 2002
Boomerang 2003 (the best live band in Slovenia)
The Sun Fallon Award 2001-2003

vstop/eintritt: 10,-
 
unterstützt aus mitteln des bmukk und des bka-abt.volksgruppenförderung

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission