Drakula – Villa For Forest

Datum: Sa, 28.09.2024 um 20:00
Veranstalter: Kooperation Theater Štrik & Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 21, Klagenfurt

Autor:innen / Avtorja: Yea (Tea Kovše and Yves Brägger)
Puppenanimation / Lutkovna animacija: Tea Kovše
Gesang, Sopran / Operno petje, soprano: Mateja Potočnik
Schauspiel, Technik und Licht / Igra, tehnika in luč: Yves Brägger
Bett und Rollstuhl / Postelja, invalidski voziček: Kamran Gharabaghi
Spezieller Dank / Hvala: Kristina Kovše & Dejan Stropnik
Fotocredit: Uroš Zavodnik
Reservierung/Rezervacije - Eintritt 20 €:
teater.strik@gmail.com oder +43 (0) 699 - 120 - 887 - 70

SLO / Predstava temelji na noveli Dracula, Bram Stoker.
MOŽ! je vedno bolj in bolj bolan.
Prepričan je, da so na delu vampirji.
Postaja bled in iz minute v minuto bolj šibak.
Boji se teme in noči, ampak mora ostati pogumen, mora obstati.
Z arijami iz Bizetovega Carmana ter Puccinijevih Turandot in Gianni Schicchi.

DE / Das Stück basiert auf Bram Stokers Dracula.
MOŽ! wird immer kränker.
Es muss das Werk eines Vampirs sein.
Er fühlt sich schwach und sein Gesicht ist ganz blass.
Er hat Angst vor der Nacht und der Dunkelheit.
Er muss stark bleiben.
Mit Arien aus Bizets Carmen sowie Puccinis Turandot & Gianni Schicchi.

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission