Vito Vičar 4tet – Villa For Forest

Datum: Di, 26.11.2019 um 20:00
Veranstalter: Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 21, Klagenfurt

Vito Vičar - guitar
Hue Blanes - piano
Peter Smrdel - double bass
Žiga Smrdel - drums
Eintritt: € 12 | StudentInnen € 6
Verein Innenhofkultur | Villa For Forest | Kooperationspartner Riedergarten

“Vito Vičar 4tet” is a newly formed international jazz ensemble that has developed out of pure musical enthusiasm and uncompromising passion for music.
Four jazz artists have decided to create their own musical style that resonates with the current modern jazz scene and at the same time includes the complementary patterns of etno-folk, classical and popular music. The outcome of such crossing is music, that is experimental, energetic and full of life – creating fusion and uniqueness in voice.

All the performed compositions have been written by Vito Vičar – Slovenian jazz guitar player/ composer, that is currently living in The Hague (NL). The defining feature of his music is warm, human-like complexity, driven by personal experience and emotion.

Vito will be accompanied by wonderful quartet members Hue Blanes – piano (Australia), Peter Smrdel – double bass (Slovenia) and Žiga Smrdel – drums (Slovenia).
The concert is the premiere of a 2-month tour that will end in the winter of 2019 in Slovenia.

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission