VELKRO – Slovenia, Norway, Portugal

Datum: Di, 27.06.2017 um 20:30
Veranstalter: Verein Innenhofkultur
Ort: raj, Badgasse 7, Klagenfurt
Link: www.facebook.com/thevelkro/videos/631916330330810/

Boštjan Simon, tenor sax, effects
Stephan Meidell, baritone guitar, effects
Luis Candeias, drums
special price for everyone: € 5


As Portuguese journalist Rui Eduardo Paes wrote, “Here is a transnational band for a trans-idiomatic music”. That’s totally it. This is not a free jazz, mainstream or even a rock band. Velkro can play everything, and that’s what they do – from beautiful, unexpected melodies to free improvisation, but everything with a clear concept. A Slovenian (Bostjan Simon), a Norwegian (Stephan Meidell) and a Portuguese (Luís Candeias) can bring rock and electronic music aboard anytime as much as abstract textural motifs and great riffs, bringing in extra elements of surprise to stretch the definition of what jazz is all about.

http://gapplegateguitar.blogspot.si/2017/03/velkro-too-lazy-to-panic.html
http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=23383

Ingen grunn til panikk


http://www.multikulti.com/too-lazy-to-panic.html
http://www.radiostudent.si/glasba/tolpa-bumov/velkro-too-lazy-to-panic

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission