NEW ADITS 2019 – day 4 – Villa For Forest

Datum: Sa, 16.11.2019 um 19:00
Veranstalter: Verein Flechtwerk - Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 21, Klagenfurt
Link: newadits.com/

Programmdetails - newadits.com
HEUTE, Samstag - Beginn um 19 Uhr in der Markuskirche in der Kaufmanngasse - Orgelkonzert. Danach Fortsetzung in der Villa For Forest !!
Eintritt: 4-Tagespass 70,- bis 30,- | 3-Tagespass 50,- bis 25,-
2-Tagespass 40,- bis 20,- | Tageskarte von 20,- bis 12,-
BIS heisst - je nach persönlicher Finanzsituation.
Verein Innenhofkultur | Villa For Forest | Kooperationspartner Riedergarten

Sa.16.11.2019

°°°Jean Luc Guionnet – MARKUSKIRCHE / KAUFMANNGASSE
°°°Howool Baek & Matthias Erian
°°°Boris Hegenbart
°°°Elektro Guzzi

 

 


DAS TOTALE PROGRAMM:

Mi.13.11.2019;

°°°Tomaž Grom & Irena Tomažin
°°°Mona Matbou Riahi
°°°braun.aar
°°°Tapestücke von Manuela Kerer und Matthias Erian
°°°Eröffnung der Installationen von Billy Roisz

Do. 14.11.2019

°°°Sophie Agnel
°°°string & noise
°°°Klaus Lang
°°°Gischt

Fr.15.11.2019

°°°Alessandro Bosetti
°°°Velharmonisches Orchester
°°°Martin Brandlmayr & Ingrid Schmoliner & Joke Lanz
°°°Form

Sa.16.11.2019

°°°Jean Luc Guionnet – MARKUSKIRCHE / KAUFMANNGASSE
°°°Howool Baek & Matthias Erian
°°°Boris Hegenbart
°°°Elektro Guzzi

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission