Monday Music Session mit Tonč Feinig – 20.00

Datum: Mo, 27.02.2012
Veranstalter: Verein Innenhofkultur
Ort: raj, Badgasse 7, 9020 Klagenfurt

Tonč Feinig-piano

Milan Nikolič-bass

Klemens Marktl-drums

Standards und Neues von Feinig!

Eintritt 7 Euro - KONSE-StudentInnen gratis

FEINIG-NEWS:

February 27 – Monday Music Session at Raj

my piano trio
with
Klemens Marktl on drums
Milan Nikolič on bass
me, as said, on piano

we“ll perform some new originals of mine!

the next Monday Sessions in raj will be on
12th  and 26th March, line up to be announced in my next newsletter

And now two more things:
1.
My first cd as a leader of my then quartet, We“ll See, is online now!
here are the links:
http://www.cdbaby.com/cd/toncfeinigquartettfeatmi
and on Itunes:
http://itunes.apple.com/at/album/we-ll-see-feat.-michael-erian/id500209614
2.
Here“s the link to a fantastic online radio, as well as other info:
http://runjoeteka.blogspot.com/

It “s Sergej Ranđelovič“s blog, he“s the drummer in Robert Jukič“s Kramp project (and of course many other bands)
It has some very amazing tunes on it, which you might never hear on the radio!
Great ecclectic stuff!!!

SO, that was ist!
I hope you can enjoy the weather and don“t have to drive around in the snow…
and drop by at my www.feinig.org from time to time!
Greetings
Tonč

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission