Tomi Purich TRIO

Datum: Mo, 26.02.2018 um 20:00
Veranstalter: Verein Innenhofkultur
Ort: New Amsterdam Bar, Badgasse 7, Klagenfurt

Aleš Ogrin (piano)
Peter Smrdel (double bass)
Tomi Purich (drums)
8€ and 5€ for students

feat. Aleš Ogrin (piano) & Peter Smrdel (double bass)
ethno-jazz

Drummer Tomi Purich relaunches his project of ethno-jazz music created in 2006, with the influences od Balkan ethno music with new improvisations and energetic rhythms. The idea of the project was born in 2006 with his sextet that proposed their own compositions and arrangements presented in fesitval around Slovenia and Italy. Some of the material was recorded for an album that will be released soon.

This time, a unique blend of Balkan, Oriental and Istrian melodies are presented in a special jazz training – piano, double bass and drums. Unlike conventional ethno projects, the trio improvises with a true jazz language, maintaining the classic rhythm and proposing odd rhythmical solutions.
A show for those who love the sound of a classic jazz trio ensemble but are ready for any kind of rhythmic-melodic innovation.

Download link: https://we.tl/xlXE4sfq1Z
Videos: https://we.tl/LnEagAN5MC, https://we.tl/fxH1oXsxLG
YTB videos: https://www.youtube.com/watch?v=CQeP7zC4acI
https://www.youtube.com/watch?v=rl_w3VNKpH8

More info: www.facebook.com/tomipurich

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission