in concert: Jani Kovačič

Datum: Sa, 22.10.2011
Veranstalter: Verein Innenhofkultur
Ort: raj, Badgasse 7, 9020 Klagenfurt
Link: www.innenhofkultur.at

in unserer Schwerpunktreihe "Slowenische Singer/Songwriter"

Eintritt: € 12 | 10 | 6













Jani Kovačič, geboren 1953 in Ljubljana, ist einer der wichtigsten
Folksänger des Landes: Dichter und Satiriker, bissig, kritisch,
ironisch. Da Kovačič der Meinung ist, Ruhm sei eine vermeidbare Last,
die viele Dinge vorhersehbar mache, hat er seit Jahren keine Platten
mehr herausgebracht. Seine Konzerte stellen also die einzigen
Gelegenheiten dar, ihn und seine Kunst zu erleben. 2009 erschien sein
Buch »Knjiga« – das Buch.

Since his first performance in 1976 at the Faculty of Arts, University of Ljubljana, Jani Kovačič
has been an engaged song writer, an urban troubadour with his own
aphoristic style full of ironic syllogisms and anti-heroism, a musician
who follows an eclectic mixture of genres in alternative performance,
recorded in several albums and collected in some books of lyrics. At KUD France Prešeren Arts and Culture Association
he has headlined the Piano Bar concert series for several years. In
addition to his LPs he has published several books of poetry.



See also



External links



Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission