Federico Perinelli METAMORFOSI 6et | Villa For Forest

Datum: Sa, 29.03.2025 um 20:00
Veranstalter: Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 1, 9020 Klagenfurt
Link: youtube.com/watch?v=OWGpgVROR1U&t=1873s

Leonie Maria Grössl - Violin
Esther Thoben - Cello
Philipp Wallner - Guitar
Philipp Wohofsky - Piano / Keys / Electronics
Federico Perinelli - Double bass / Compositions
Lukas Aichinger - Drums

Eintritt: 22 | 11€

War er ein Tier, da ihn Musik so ergriff? Ihm war, als zeige sich ihm der Weg zu der ersehnten unbekannten Nahrung. ( Franz Kafka, Die Verwandlung Kap.3, 1912)

The Federico Perinelli „Metamorfosi“ 6tet is a jazz ensemble formed in 2024, featuring an unconventional lineup of violin, cello, guitar, keyboards/synth, double bass, and drums. This distinctive instrumentation allows this ensemble to explore the individual voices and roles of each instrument, creating layered textures that shape their original compositions. A key aspect of the ensemble’s identity is the never ending exploration of rhythmic structures, seamlessly blending sections of improvisation with arranged passages and sections. As the name suggests, the compositions develop and evolve, often changing shape—sometimes returning to their initial, larval form, other times transforming completely into something new, whether smooth and harmonious or angular, twisted and sometimes crooked.

© Daniela Poschauko

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission