DonauVerhau – Villa For Forest

Datum: Fr, 28.10.2022 um 19:30
Veranstalter: Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 21, Klagenfurt

Daniel Bierdümpfl - Guitar
Federico Perinelli - Double bass
Aron Hollinger - Guitar
Eintritt 16€ | 9€ Studierende und unter 18
(1 € aller Tickets ist für den Betrieb der Villa For Forest !! - Grössere Spenden: HERZLICH WILLKOMMEN)

„DonauVerhau is an enchanting conglomerate of musical fisher*wo*man reaching for the poetics of every metaphorical river floating on this planet. Music like shimmering scales of a rainbow trout that doesn’t know of its beauty, but is revealing it to those who close their eyes and listen to the shimmer and loose them selfs in the spume of audible waves.
 
DonauVerhau is an international group of musicians from Austria, Italy and Germany living in Linz (Austria) by its eponym; the beautiful river Danube. Just like the Danube, which crosses all over Europe and is connecting various cultures along the way (in fact more than any other river on earth), the Bands aspiration is to interconnect cultures musically and lyrically all along its fluid journey. 
 
The three (sometimes four) musicians take you on an acoustic ship ride through Jazz Standards, original compositions and other musical genres. Attempting a modern turn on Gypsy Jazz, the group is trying to push borders and stigmas within the scene of the genre by enriching it with all of the groups nationalities and diverse musical portfolios. 

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission