ASATRIAN | GALLO | MARKTL

Datum: Di, 28.10.2003
Veranstalter: Verein Innenhofkultur
Ort: cik@Künstlerhaus Klagenfurt

lineup:
Karen Asatrian_p
Danilo Gallo_b
Klemens Marktl_dr

DANILO GALLO
Young bassist and electric bassist, born in Foggia in 1972, he dedicated himself, at the beginning, to classical studies, and then he deepened into jazz with Nico Catacchio, Guido Leone, Felice Mazzina, Davide Santorsola at „Il Pentagramma“ in Bari, where he began his artistic activity attending clinics playing in jam session with Claudio Fasoli, Mark Murphy and Franco Cerri first, and then collaborating with some of the best known musician from Italy and abroad like Benny Golson, Bob Mintzer, Paul Jeffrey, Chris Speed, Kelvin Sholar, DIck Halligan, GIanluigi Trovesi, Paaolo Birro, Kyle Gregory, Robert Bonisolo, Fabrizio Bosso, Gianluca Petrella, Marcello Tonolo, David Boato, Ettore Martin, Massimo Chiarellaa, Renato Chicco, Gianni Lenoci, Romano Mussolini, Renato Daiello, Antonio Ciacca, Davide Santorsola, Jean Paul Lochet, Rosemarie Navach, Felice Mezzina, Mariella Carbonara, Judith Hamza and others. He has been playing also with Bobby Durham, Shawnn Montero, Massimi Faraò, Ellade Bandini, Luigi Bonafede, Christian Meyer, Pietro Tonolo. He is collaborating with the „Thelonious Monk Big Band“ directed by Marcello Tonolo. He is actually participating in many other projects.He has been playing in Italy, France, Holland, Germany, Austria, Ceca Republic, Romania.

Termine

am Mi, 04.06.2025 um 19:00

GESTALTWECHSEL | Vernissage | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt Interdisziplinäres Ausstellungsprojekt des Künstlerinnenkollektivs BMI
Barbara Ambrusch-Rapp | Marjeta Angerer-Guggenberger | Ina Riegler

Vernissage mit Live-Performance von Anna Possarnig

Das Verlassen von alten Mustern, die Bewegung hin zum Unbekannten ... Basierend auf dieser Intention setzen sich die drei in Kärnten/Koroška lebenden Künstlerinnen mit biografischen Umbrüchen, (un-)bewussten Transformationsprozessen bis hin zu Szenarien einer fiktionalen Existenz auseinander. Mit den Werkzeugen Bild, Objekt und Installation in ihrer jeweils individuell gewachsenen Bild- und Formensprache stellen sie einerseits ihre Herangehensweisen in Beziehung zueinander, bringen sie in die Sichtbarkeit und erweitern diese um den Blickwinkel der Performerin. Andererseits laden sie das Publikum zum Betreten eines entgrenzten Vorstellungsraumes ein

Offen jeden Samstag von 10 bis 12 Uhr und 3 Stunden vor den Veranstaltungen.

Begleiteter Ausstellungsrundgang mit den Künstlerinnen:
- Samstag, 14. Juni von 10 bis 12 Uhr mit Ina Riegler
- Samstag, 12. Juli von 10 bis 12 Uhr mit Marjeta Angerer-Guggenberger
- Samstag, 19. Juli von 10 bis 12 Uhr mit Barbara Ambrusch-Rapp
am Di, 10.06.2025 um 19:00

TACO TUESDAY SUMMER PARTY | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt COME JOIN US on 10.06.2025 FOR THE TACO TUESDAY SEASON FINALE SUMMER PARTY!
IF IT'S NICE WEATHER WE'LL START OUTSIDE IN THE GARDEN!
TACO TUESDAY HOUSE BAND & SINGERS CREW, VILLA GROOVE ORCHESTRA (formerly 'ladies on stage')
SPECIAL GUESTS: FLOZELL feat. KARIN ZEMLJIČ, DJ FRANKLIN JAMES & OF COURSE, ROB'S TACOS!
WE'LL OPEN A LITTLE EARLIER FOR TACOS at 19:00.
SO COME AND GET DOWN @
THE HIPPEST PARTY IN TOWN!!!
am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission