433h _ John Cage : 7 Veranstaltungen

Datum: Mi, 05.09.2012
Veranstalter: siehe Text
Ort: raj, Badgasse 7, 9020 Klagenfurt

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433h _ John Cage: Eine rhizomatische Installation
5. 9. – 19.00 – 23. 9. – 20.00, raj Badgasse 7, Klagenfurt

Programm
5.9.2012 – 19.00
John Cage Cage _ Seh:Bühne
Start der interaktiven 433h _ Composition

11.9.2012 – 20.00
Grüße an John Cage
Simone Heilgendorff _ Campus Ensemble

13.9.2012 – 20.00
nicht etwas Jandl
Philosophische Versuchsreihen _ Dietmar Pickl

14.9.2012 – 20.00
Perform(d)ance für John Cage
Niki Meixner

16.9.2012 – 20.00
mushroom music
Carinthia Saxofon Quartett
_ Sonja Leipold – Klavier
_ Christoph Hofer – Akkordeon
_ Robert Rasch – Cello

20.9.2012 – 20.00
feeling, sampling, gambling John Cage
Musikalischer Workshop
Dietmar Pickl _ David Guttner

23.9.2012 – 20.00
John Cage Cage Composition
Uraufführung der 433h _ Composition
Christoph Hofer _ Gilbert Sabitzer

Knowing how to play instruments is fine, but knowing how to make music only belongs to the truly great.
John Cage
Musik,
nicht Lärm umgibt uns – überall und immer. John Cages Zugang zum Hören
und Wahrnehmen seiner Umwelt, der Welt insgesamt, ist voll von
Überraschungen und Möglichkeiten.

info@philosophischeversuchsreihen.at
www.philosophischeversuchsreihen.at
www.innenhofkultur.at
www.izzm.org

Termine

am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission