Boštjan Simon | Tomaž Gajšt | Robert Jukič | Kristijan Krajnčan – Villa For Forest

Datum: Mo, 27.05.2019 um 20:30
Veranstalter: Verein Innenhofkultur
Ort: Villa For Forest, Viktringer Ring 21, Klagenfurt

Boštjan Simon (saxophone) . | . Tomaž Gajšt (trompete)
Robert Jukič (bass) . | . Kristijan Krajnčan (Schlagzeug)
Eintritt: € 15 | StudentInnen € 10
Verein Innenhofkultur | Villa For Forest | Kooperationspartner Riedergarten

Robert’s latest project features some of the most talented and fearless musicians and improvisers from Slovenia. The quartet performs Robert’s original compositions based on thoughts about humanity’s worst creation – war. Capturing sounds of tragedy, hope, dedication, perseverance, nonsense, Robert combines Balkan-flavoured melodies, sketches of hymns and psalms, marching, mourning and victory songs with improvisation.
 
Robert Jukič „Paths of glory” will be released in 2019.
Slovenian bassis/composer Robert Jukič has performed and recorded with many international artists and bands in over 25 countries. He can be heard on over 65 records as sideman or composer. He recorded 12 records as leader and is known to explore different musical styles and environments. He collaborates with theater and dance productions and also teaches at various workshops and at the jazz department of Conservatory in Ljubljana, Slovenia.
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am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission