Jacopo Buda | Trompeten-Solo | Hafenstadt

Datum: Mo, 22.05.2023 um 21:00
Veranstalter: Verein Innenhofkultur & Hafenstadt
Ort: Hafenstadt, DOCK 04., Villacher Straße 16-18, 9020 Klagenfurt

Jacopo Buda is a trumpet player, composer and sound-ar- tist, born in Rimini (IT). His research investigates the infinite possibilities given by the encounter between trumpet and electronics in a live improvisational context. Standing at the crossroads between glitchy noir-tinged jazz, kosmische music and and fourth-world psychedelia, “Emerald Vision” offers a plethora of slowly unfolding and gently shifting emotions: unbounded joy and luminous ecstasy weaved with twilight views of haze and mystery. Hidden corners in the pangea of the psyche barely illuminated by spare rattlings and elusive whispers.

Buda’s traveling life and a strong sympathy with the Middle Eastern esoteric traditions mixed with free jazz musical language brought him to cultivate a very open-minded and spontaneous approach to sound, as testified by the early encounter with the Sufi master Shaikh Hassan Dyck. A wild opium flower bloomed between concrete and glass. As a gentle but firm stance of authenticity the calm and steady sound of the leading trumpet is the polar star illuminating the whole scene. From a state of natural flow, different configurations grow and dissolve as ashes in a bonfire of burning pictures, slowly reabsorbed into the eternal cycle of breathing magma. But nothing is lost. Buda just follows his own peculiar way, the emerald vision, and finds perfumes and gifts from the river forest serpent god on the lonely neon-lit streets of the mechanical wasteland.
Eintritt: FREIE SPENDE

Termine

am Mi, 04.06.2025 um 19:00

GESTALTWECHSEL | Vernissage | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt Interdisziplinäres Ausstellungsprojekt des Künstlerinnenkollektivs BMI
Barbara Ambrusch-Rapp | Marjeta Angerer-Guggenberger | Ina Riegler

Vernissage mit Live-Performance von Anna Possarnig

Das Verlassen von alten Mustern, die Bewegung hin zum Unbekannten ... Basierend auf dieser Intention setzen sich die drei in Kärnten/Koroška lebenden Künstlerinnen mit biografischen Umbrüchen, (un-)bewussten Transformationsprozessen bis hin zu Szenarien einer fiktionalen Existenz auseinander. Mit den Werkzeugen Bild, Objekt und Installation in ihrer jeweils individuell gewachsenen Bild- und Formensprache stellen sie einerseits ihre Herangehensweisen in Beziehung zueinander, bringen sie in die Sichtbarkeit und erweitern diese um den Blickwinkel der Performerin. Andererseits laden sie das Publikum zum Betreten eines entgrenzten Vorstellungsraumes ein

Offen jeden Samstag von 10 bis 12 Uhr und 3 Stunden vor den Veranstaltungen.

Begleiteter Ausstellungsrundgang mit den Künstlerinnen:
- Samstag, 14. Juni von 10 bis 12 Uhr mit Ina Riegler
- Samstag, 12. Juli von 10 bis 12 Uhr mit Marjeta Angerer-Guggenberger
- Samstag, 19. Juli von 10 bis 12 Uhr mit Barbara Ambrusch-Rapp
am Di, 10.06.2025 um 19:00

TACO TUESDAY SUMMER PARTY | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt COME JOIN US on 10.06.2025 FOR THE TACO TUESDAY SEASON FINALE SUMMER PARTY!
IF IT'S NICE WEATHER WE'LL START OUTSIDE IN THE GARDEN!
TACO TUESDAY HOUSE BAND & SINGERS CREW, VILLA GROOVE ORCHESTRA (formerly 'ladies on stage')
SPECIAL GUESTS: FLOZELL feat. KARIN ZEMLJIČ, DJ FRANKLIN JAMES & OF COURSE, ROB'S TACOS!
WE'LL OPEN A LITTLE EARLIER FOR TACOS at 19:00.
SO COME AND GET DOWN @
THE HIPPEST PARTY IN TOWN!!!
am Mi, 25.06.2025 um 20:00

Noise, Silence, Action | Villa For Forest

Villa For Forest, Viktringer Ring 21, 9020 Klagenfurt In this event, the GMPU Experimental Music Workshop will perform works by Pullitzer Prize recipient, Diné musician and artist Raven Chacon; experimental music mavericks Christian Wolff and James Tenney; and founding member of the Fluxus Movement Alison Knowles. Each work explores alternative forms of musical notation including graphical scores and text-based event scores that result in sounds and actions that challenge the very definition of music and prompt innovative and unconventional performance practices. These works also encourage a new form of listening and engaging with music by probing extremal and liminal musical spaces: from the almost imperceptibly soft and sparse to the loud and dense. In some cases, the music even reaches "beyond sound" through the consideration of colonial histories and the navigation of social systems and their corresponding power dynamics.

Free admission